Endings. How I love to hate thee. The bane of my existence, yet the reason what I read book after book. Maybe it is because I love endings so much that they scare me so much when I am writing them.
Honestly, ending anything longer than 150 words terrifies me. I long for a WIP to end even as I am avoiding thinking about it. And now you are wondering why on earth I should be writing a blog post about it.
Because I am opinionated! And where else should I air my opinions then my blog?
Well, also because I have given this a lot of thought. Especially when I read a book that leaves me unsatisfied and grumpy when I finish it. Aspiring authors, never leave your reader feeling grumpy. They may never come back.
So welcome to How You Should End Your Novel.
An end is not The End.
Endings are not just two words saying The End. If it was, no one would ever do it wrong and you would never hear anyone complaining. Since there seems to be so much complaining about book endings in the world, there must be a right way to do them and a wrong way to do them.
We will be discussing the right way to do them. At least, the right way according to me. Other opinions may vary.
Your ending will dictate the course of your entire novel. Whether your character goes right instead of left. Why your mentor says the things he does. Basically, your entire novel is foreshadowing the end. Your job is to hint to the reader how your story is going to end, and it is up to your reader to first see, and then interpret those hints accordingly. If your hints point to a completely different ending then you have planned, your readers will end up feeling jipped.
Mystery stories are the master at this. Every single detail points to the solution to the mystery, and the end of the story. Yes, there are red herrings. The flashy hints that catch the readers attention. However, if every hint you have is a red herring, the reader will end up being frustrated and may slam the book shut out of puzzlement and never pick it up again.
The best writers are weaving subtle, real hints along with their red herrings. If you have a well done plot twist, the reader will be surprised, and then look at the book and realize that the right answer was there the whole time.
Happy ending or no happy ending?
This is not a question to take lightly. As we have established, your answer to this question will determine every step of your novel.
For sanity’s sake, please do not throw in a tragic ending just for the sake of a tragic ending. Or because of the shock value. That is a terrible way to decide which ending to have. Terrible.
I have read a story where you are rooting for the main character the whole time, and then he dies. I was left wondering what the point of the story was, and if there was a point at all.
If you have tragedy, there must be a point, a reason. If you have happiness, there must also be a point.
Let’s look at it this way. What if Hamlet had been a happy ending? He got his revenge, the girl, and everyone lived happily ever after. While that is what I was hoping for during the play, if I had gotten what I had wanted, the play would have fallen flat. The entire point of the play was to show the affect of Hamlet’s father’s murder. How one murder turns into two, then three, and on and on. How one terrible decision leads to another terrible decision. Tragedy fit the tone and point of the play.
How about Pride and Prejudice? What if everyone had died in the end? We would hate that book until our dying days for one thing. For another thing the book would have no point whatsoever. The entire story is about finding love and overcoming pride. If the characters never overcame their pride and died, well, we would get an entirely different message. The tone of the book fits the end, the end fits the book.
Choose an ending that fits your book. And don’t be afraid of happy endings.
I think many people believe that authors are afraid of tragedies. Of killing characters and making readers unhappy. Perhaps that is the way it used to be, but at the moment I see more and more authors toying with tragedies, unwilling to give their characters happy endings unless everything else has gone wrong and they have worked really hard for it. Basically a book where everyone dies except for the love interest and the MC who magically stay alive.
No, you should not just hand out happy endings like cookies. However, it is fine for people to be happy in your books. If they have worked hard for it, they deserve a happy ending. Lots of people are happy, lots of people have happy endings in real life. Lots of people also have tragic endings in real life. Either way, your ending should be true to your book.
Tie up thy plot threads
This is not a suggestion. Let me repeat myself, THIS IS NOT A SUGGESTION!! There is not much in a book that bugs me more than loose plot threads the writer didn’t bother to find and tie up. At the moment, we are not talking about books within a series, we are talking about stand alone’s and the end of a series. The places where you have to search for every stray character and account for them.
Remember step one? Just because you slap a The End on your novel does not mean it is finished. You should have been foreshadowing this end since chapter one. Now consider every hint you have given to be a solemn promise to the reader.
Have you foreshadowed character one and character two falling in love? They had better go on a date by the end of your novel! Did you hint that character one is going to fall off a cliff? Find a cliff and dump him off of it before finishing your novel. By the way, red herrings are tied up when they are revealed to be red herrings.
If you give a hint, a.k.a. a promise, that has not been fulfilled by the end of the story, your reader will be left feeling unsatisfied. This includes any mysteries like backstory and world building stuff. Unless you have a really good reason why not to explain something, explain it. Give your reader the satisfaction they are reading for.
Quick Rant: Wrapping things up has a subcategory called fulfilling all of your prophecies. If you have a huge prophecy at the beginning of the book that is supposed to guide the entire plot, please, please fulfill the prophecy. There are clever ways to get out of killing your character, but honestly, if you want your hero to leave, don’t prophecy his death. That red herring is so old it isn’t even red anymore. Quick Rant Over.
There you have it. A three step process to finishing your novel well. Good luck finishing all your Nano novels!
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